✨ New Arrivals Just Dropped!Explore
Ishiuchi Miyako: Postwar Shadows
HomeStore

Ishiuchi Miyako: Postwar Shadows

Ishiuchi Miyako: Postwar Shadows

Amanda Maddox

A maverick in the history of photography, Ishiuchi Miyako (b. 1947) burst onto the scene in Tokyo during the mid-1970s, at a time when men dominated the field in Japan. Working prodigiously over the last forty years, she has created an impressive oeuvre and quietly influenced generations of photographers born in the postwar era. Recipient of the prestigious Hasselblad Award in 2014, Ishiuchi ranks as one of the most significant photographers working in Japan today.

Spurred by her contentious relationship with her hometown, Yokosuka—site of an important American naval base since 1945—Ishiuchi chose that city as her first serious photographic subject. Grainy, moody, and deeply personal, these early projects established her career. This choice of subject also defined the beginning of Ishiuchi’s extended exploration of the American occupation and the shadows it cast over postwar Japan.

Ishiuchi has since addressed the theme of occupation both indirectly—through her photographs of scars, skin, and other markers of time on the human body—and more explicitly, with her images of garments and accessories once owned by victims of the atomic blast in Hiroshima. Essays featured in this volume reveal the past as the wellspring of Ishiuchi’s work and the present moment as her principal subject.

Ishiuchi Miyako: Postwar Shadows—which includes a selection of more than 100 works—was published on the occasion of an exhibition by the same name, on view at the J. Paul Getty Museum at the Getty Center, Los Angeles, from October 5, 2015, to February 21, 2016.

Amanda Maddox is associate curator in the Department of Photographs at the J. Paul Getty Museum.

“A well-researched catalogue with solid essays, a nicely illustrated chronology, and good photographic prints. It is very pleasing that this extraordinary photographer finally gets the attention she deserves.”
Journal of Japanese Studies

192 pages
9 1/2 x 10 inches
140 color illustrations
ISBN 978-1-60606-455-9
hardcover

Getty Publications
Imprint: J. Paul Getty Museum

2015

$17.48

Original: $49.95

-65%
Ishiuchi Miyako: Postwar Shadows

$49.95

$17.48

Ishiuchi Miyako: Postwar Shadows

Amanda Maddox

A maverick in the history of photography, Ishiuchi Miyako (b. 1947) burst onto the scene in Tokyo during the mid-1970s, at a time when men dominated the field in Japan. Working prodigiously over the last forty years, she has created an impressive oeuvre and quietly influenced generations of photographers born in the postwar era. Recipient of the prestigious Hasselblad Award in 2014, Ishiuchi ranks as one of the most significant photographers working in Japan today.

Spurred by her contentious relationship with her hometown, Yokosuka—site of an important American naval base since 1945—Ishiuchi chose that city as her first serious photographic subject. Grainy, moody, and deeply personal, these early projects established her career. This choice of subject also defined the beginning of Ishiuchi’s extended exploration of the American occupation and the shadows it cast over postwar Japan.

Ishiuchi has since addressed the theme of occupation both indirectly—through her photographs of scars, skin, and other markers of time on the human body—and more explicitly, with her images of garments and accessories once owned by victims of the atomic blast in Hiroshima. Essays featured in this volume reveal the past as the wellspring of Ishiuchi’s work and the present moment as her principal subject.

Ishiuchi Miyako: Postwar Shadows—which includes a selection of more than 100 works—was published on the occasion of an exhibition by the same name, on view at the J. Paul Getty Museum at the Getty Center, Los Angeles, from October 5, 2015, to February 21, 2016.

Amanda Maddox is associate curator in the Department of Photographs at the J. Paul Getty Museum.

“A well-researched catalogue with solid essays, a nicely illustrated chronology, and good photographic prints. It is very pleasing that this extraordinary photographer finally gets the attention she deserves.”
Journal of Japanese Studies

192 pages
9 1/2 x 10 inches
140 color illustrations
ISBN 978-1-60606-455-9
hardcover

Getty Publications
Imprint: J. Paul Getty Museum

2015

Product Information

Shipping & Returns

Description

Amanda Maddox

A maverick in the history of photography, Ishiuchi Miyako (b. 1947) burst onto the scene in Tokyo during the mid-1970s, at a time when men dominated the field in Japan. Working prodigiously over the last forty years, she has created an impressive oeuvre and quietly influenced generations of photographers born in the postwar era. Recipient of the prestigious Hasselblad Award in 2014, Ishiuchi ranks as one of the most significant photographers working in Japan today.

Spurred by her contentious relationship with her hometown, Yokosuka—site of an important American naval base since 1945—Ishiuchi chose that city as her first serious photographic subject. Grainy, moody, and deeply personal, these early projects established her career. This choice of subject also defined the beginning of Ishiuchi’s extended exploration of the American occupation and the shadows it cast over postwar Japan.

Ishiuchi has since addressed the theme of occupation both indirectly—through her photographs of scars, skin, and other markers of time on the human body—and more explicitly, with her images of garments and accessories once owned by victims of the atomic blast in Hiroshima. Essays featured in this volume reveal the past as the wellspring of Ishiuchi’s work and the present moment as her principal subject.

Ishiuchi Miyako: Postwar Shadows—which includes a selection of more than 100 works—was published on the occasion of an exhibition by the same name, on view at the J. Paul Getty Museum at the Getty Center, Los Angeles, from October 5, 2015, to February 21, 2016.

Amanda Maddox is associate curator in the Department of Photographs at the J. Paul Getty Museum.

“A well-researched catalogue with solid essays, a nicely illustrated chronology, and good photographic prints. It is very pleasing that this extraordinary photographer finally gets the attention she deserves.”
Journal of Japanese Studies

192 pages
9 1/2 x 10 inches
140 color illustrations
ISBN 978-1-60606-455-9
hardcover

Getty Publications
Imprint: J. Paul Getty Museum

2015

You may also like

NEW
Thumbnail 1

In Focus: Paul Strand

$19.95

-65%NEW
Thumbnail 1

Art of the Defeat, France 1940-1944

$45.00

$15.75

NEW
Thumbnail 1

From Caspar David Friedrich to Gerhard Richter: German Paintings from Dresden

$30.00

NEW
Thumbnail 1

In Focus: Edward Weston

$19.95

NEW
Thumbnail 1

Gardens in Art

$24.95

-65%NEW
Thumbnail 1

The Blind Spot: An Essay on the Relations between Painting and Sculpture in the Modern Age

$17.50

$6.12

-65%NEW
Thumbnail 1

The History of the Church in Art

$24.95

$8.73

-65%NEW
Thumbnail 1

Faces of Power and Piety

$19.95

$6.98

-65%NEW
Thumbnail 1

European Art of the Seventeenth Century

$24.95

$8.73

-65%NEW
Thumbnail 1

The Prayer Book of Charles the Bold: A Study of a Flemish Masterpiece from the Burgundian Court

$60.00

$21.00

NEW
Thumbnail 1

An ABC of What Art Can Be

$17.95

NEW
Thumbnail 1

Nicolas Lancret: Dance Before a Fountain

$20.00